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Mediterranean Naval Battles That Changed the World (Hardback)

Maritime Ancient History Naval

By Dr Quentin Russell
Imprint: Pen & Sword Maritime
Pages: 256
Illustrations: 20 illustrations
ISBN: 9781526715999
Published: 22nd January 2021

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Focusing on seven decisive naval engagements from the Greek defeat of the Persians at Salamis in the fifth century BC to the Siege of Malta during the Second World War, this book tells the story of the Mediterranean as a theatre of war at sea. Each of these fiercely fought battles were to change the balance of power and shape the course of history. Before telling the story of each battle in detail the history of the balance of naval power in the Mediterranean and the effect of the development of naval architecture and design on the outcomes is outlined: Lepanto was the last major battle fought between galleys; Navarino was the last major battle to be fought entirely by sailing ships; and Cape Matapan (where a young Duke of Edinburgh saw action) was the first operation to exploit the breaking of the Italian naval Enigma codes. The battles included are: Salamis (480 BC), Actium (31 BC), Lepanto (1571), the Nile (aka Aboukir Bay, 1798), Navarino (1827), Cape Matapan 1941 and the Siege of Malta 1940-42.

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Review by Les Brown

An interesting book which takes a slightly different approach to many containing descriptions of naval battles, but one which gives the reader a fuller appreciation of how a single naval battle could ‘change the world’.

Small Warships group

About Dr Quentin Russell

Dr Quentin Russell is a historian, writer and producer. He holds a PhD in 19th century Anglo-Greek relations. He was part of the writing and production team on Exposure: the Musical (2016) and his TV documentary, An Exile in Paradise: The Adventures of Edward Lear in Greece and Albania, which was broadcast internationally, won the New York Festival’s Arts Silver Medal in 2009. His previous publications include Ali Pasha, Lion of Ioannina: the Remarkable Life of the Balkan Napoleon (2017) for Pen and Sword and an essay on Lear’s travels as a painter of the Balkans (1848-9) in the prestigious British Art Journal.

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